A great novel has stunning visual imagery. There’s no way around it; if you can literally “see” the scene in your head, then the book you’re reading reached a fantastic goal. But you can’t make a novel based on description alone.
You need dialogue. Good dialogue, interesting dialogue. Characters need to interact and speak to create a novel that people can “see” in their minds.
You can help your readers “see” even more by making your dialogue stand out. You want readers to “hear” what your characters say, but even more so, you need to help your readers “see” how the character says those words as well.
Here’s an example of a segment of dialogue:
“I’m having a beer,” James said. “Do you want one?”
“No, thanks,” Harry said. “I’m working on this banner right now. Maybe later.”
“Beer makes banners go down better,” James said, and he handed Harry a bottle. “Come on, have one. Cheers.”
Bored yet? I sure as hell am. The scene has conversation between two characters, which is great, but it’s lacking in description. There’s no life to it and little visual imagery. So what should you do? Describe the bottle or the fridge? Mention the color of Jamie’s hair or Harry’s shirt?
What value does that add to the story? Does it matter what color Jamie’s hair is or that Harry has a red shirt versus a blue shirt? Adding description, in this case, isn’t going to make any difference in advancing the story or making it more entertaining.
There’s another problem with this section of story. “Said”. If you want to bring your dialogue to life, then you have to eliminate the word “said”.
It’s filler. It’s unnecessary. It doesn’t add anything to the value of the novel – so cut it out.
Hold on, though. If you have no description to fall back on and you start cutting out words, what’s left? You need to add something to replace the filler, or you’ll be left with a transcript of an audio tape and little else. Take a look:
“I’m having a beer. Do you want one?”
“No, thanks. I’m working on this banner right now. Maybe later.”
“Beer makes banners go down better.” James handed Harry a bottle. “Come on, have one. Cheers.”
That’s even more boring than the excerpt before – and confusing. The fluff is gone, but who said what isn’t clear. The scene lacks visual imagery to tell the reader which character is offering what and to whom.
So add some action.
Bringing action into your dialogue can make a huge difference in the enjoyment of a scene. The dialogue helps readers “hear” what’s going on. The action shows them what’s happening at the same time. Readers can “see” the scene play out almost like a theatre act, with all the elements working together to create richer imagery.
Try this version:
“I’m having a beer.” James set his papers down and walked to the fridge. He opened the door and glanced at Harry. “Do you want one?”
“No, thanks.” Harry frowned at his screen without looking up. “I’m working on this banner right now. Maybe later.”
One corner of Jamie’s mouth pulled up. “Beer makes banners go down better,” he handed Harry a bottle. “Come on,” he urged. “Have one.” The bottle went up in silent salute. “Cheers.”
The whole scene, short as it is, is only two men discussing having a beer. But suddenly, when action and dialogue blend together, the scene becomes interesting. Something’s happening. There’s material to capture interest. Not only that, but action has momentum. It’s clear that something was happening and that something will happen as well.
Note that the dialogue hasn’t changed. It has stayed the same in all three examples. But it has suddenly become alive. It conveys emotion and creates a small “movie” in the reader’s head.
The moral of the story is that without action, dialogue can’t support a story. Without dialogue, a story is flat and lifeless. Your characters are people – living, breathing, moving and thinking. Creating a rich novel means balancing all elements of a good story.
The story suddenly becomes accessible – not only in words, but in the reader’s mind as well.
Help spread the word!
Only if you dance on your head in April while naked and singing “Que Sera, Sera.” It was close. We’ll let you off the hook this time.
“Whew, that was close” He took a deep breath and carefully stepped back, not wanting to ruin it all by tripping now.
Hey, you know, this creative writing thingy is way cool! I would not dare doing this in english, but I hope to find some time to write stuff for myself, just for fun!
(still wonderin’ what I would dance to “que sera”, though – sounds like a challenge)
“Dude.” James leaned over and whispered at Harry. “He’s thinking it over. Wanna bet he’ll try it?”
Harry arched an eyebrow. “James, not on your life.”
Sam let out a deep and heartfelt sigh and fingered the crumpled note in his pocket.
It was not his qualification – credentials could be forged, and he was used to throw himself in any situation, to learn and adapt on the go, but this, this was heavy stuff. It would take time. Not a few namsy pamsy hours, but real time.
He took the note out, flattening between his hands. Looking at it, not really reading – he already knew it by heart.
Sighing again he turned around and left, stuffing the note into his pocket again. He needed to think this one over.
“Another day. Maybe in another town.” he mumbled, knowing deep inside that even though he won’t act on this now, it would be coming back to him, there would be a second chance.
Probably even a third, the universe usually did not let him off the hook, once something was meant to happen to him.
“I’ll be back” he promised, caressing the crumpled note with the directions to the writers corner in his pocket.
Wow, this is my main problem…I (say it) instead of (showing it.) Or so I’ve been told but no one gives me any examples….. which to my dismay is how I learn…thanks again. You guys are my Heros.